Screening Room (1972) | StreamScapeX

Episodes

Season 1, 30 episodes

Episode 1: Screening Room with John Whitney Sr.
- Now playing
- Nov 1, 1972
John Whitney was a guest on the inaugural episode of Screening Room in November, 1972. He showed and discussed Permutations, 1-2-3-Osaka, Matrix, Matrix III and a film by his son, John Whitney Jr., called Terminal Self.
Episode 2: Screening Room with Les Blank
- Jan 1, 1973
Les Blank, along with music writer Peter Guralnick, appeared on Screening Room in January 1973 to discuss his recent work and screen The Blues Accordin' to Lightnin' Hopkins, also footage from what later comprised Dry Wood and Hot Pepper.
Episode 3: Screening Room with Hilary Harris
- Mar 1, 1973
In March 1973, Hilary Harris visited Screening Room to screen and discuss films such as Longhorns, Highway, and Seawards the Great Ships, as well as footage from a work-in-progress about New York City.
Episode 4: Screening Room with Bruce Baillie
- Apr 1, 1973
Bruce Baillie appeared on Screening Room in April 1973. He screened excerpts from his films On Sundays, The Gymnasts, To Parsifal, Tung and Castro Street.
Episode 5: Screening Room with Robert Fulton
- Apr 2, 1973
Robert Fulton appeared on Screening Room in April 1973 to screen and discuss Machu Pichu and Reality's Invisible.
Episode 6: Screening Room with Jan Lenica
- Apr 3, 1973
Jan Lenica appeared on Screening Room in April, 1973. He screened and discussed excerpts from his films Fantorro, Monsieur Tete, A and Labyrinth.
Episode 7: Screening Room with John & Faith Hubley
- Apr 4, 1973
John and Faith Hubley appeared on Screening Room in April 1973 to discuss and screen their films Eggs, The Hat, Children of the Sun, and Zuckerkandl.
Episode 8: Screening Room with Stan Brakhage
- May 1, 1973
Stan Brakhage first appeared on Screening Room in May, 1973 to screen and discuss the films Eye Myth, Desist Film, Wonder Ring, Window Water Baby Moving, Moth Light, Blue Moses, Machine of Eden and The Wold Shadow.
Episode 9: Screening Room with Derek Lamb
- Jun 1, 1973
Derek Lamb appeared on Screening Room in June 1973 with over a dozen films and film clips that demonstrated a wide range of animation techniques.
Episode 10: Screening Room with Emile de Antonio
- Jun 2, 1973
Along with visual anthropologist Edmund Carpenter, Emile de Antonio appeared on Screening Room in June 1973 to screen and discuss excerpts from his films.
Episode 11: Screening Room with Ricky Leacock
- Jun 3, 1973
Ricky Leacock visited Screening Room on June 15, 1973, with Al Mecklenburg and Jon Rosenfeld. He demonstrates super-8 sync technology and screens excerpts from his films.
Episode 12: Screening Room with Standish Lawder & Stanley Cavell
- Jun 3, 1973
In this episode of Screening Room, Lawder demonstrates the intricacies of his home-made optical printer and shows examples of what can be achieved with rephotographing film.
Episode 13: Screening Room with Caroline Leaf & Mary Beams
- Feb 17, 1975
Caroline Leaf’s animated work springs from her expert storytelling and pioneering animation techniques. One significant contribution to filmmaking is her technique of manipulating sand on a light-box, which she began as a student at Harvard. She later worked as an animator and director at the National Film Board of Canada. Her film The Street garnered an Academy Award nomination in 1976. On this episode, she screens the remarkable The Owl Who Married a Goose: An Eskimo Legend and parts of The Street and The Metamorphosis of Mr. Samsa which were works-in-progress at the time. Visit her personal website at www.carolineleaf.com.
Episode 14: Screening Room with Richard P. Rogers
- Feb 18, 1975
Richard P. Rogers (1944-2001) was a renowned producer and director of nonfiction films, and a gifted teacher and mentor who taught filmmaking and photography for many years at S.U.N.Y., Purchase, and at Harvard University, where he was director of the Film Study Center. His films range from political to experimental and self-reflective, and include the independent documentaries Living at Risk and Pictures from a Revolution, about Nicaragua; an award-winning portrait made for PBS of the poet William Carlos Williams; and a dramatic adaptation of Laurel Thatcher Ulrich's book A Midwife's Tale.
Episode 15: Screening Room with Suzan Pitt
- Feb 19, 1975
Independent animator and painter Suzan Pitt, whose surreal and psychological films have gained her worldwide acclaim, continually pushes the boundaries of the animated form, sometimes working with live actors or using animation in opera stagings. Her film Asparagus won the top prize at the Oberhausen Short Film Festival and showed in theatres with David Lynch's Eraserhead for two years. She has had major exhibitions at the Whitney Museum of Art, the Holly Solomon Gallery in New York, and the Stedlijk Museum in Amsterdam. She currently teaches at the California Institute of the Arts.
Episode 16: Screening Room with Ed Emshwiller
- Feb 20, 1975
Ed Emshwiller started out as an abstract expressionist painter and an award-winning science fiction illustrator before becoming a major figure in avant-garde cinema and the experimental film movement of the 1960s and '70s. Eventually a highly respected video artist and dean at the School of Film/Videoo at the California Institute of the Arts, Emshwiller was always looking for ways to push the boundaries of film and video. He was a pioneer of computer-generated video and combining technology with art. Many of his films, including Relativity, Totem, Film with Three Dancers, and Thanatopsis received screenings and awards at New York, Cannes and other major film festivals worldwide.
Episode 17: Screening Room with Alan Lomax
- Feb 21, 1975
In this episode from 1975, ethnomusicologist Alan Lomax is the guest and viewers are treated to a partitioned screening of his path-breaking 40 minute film Dance and Human History: Movement Style and Culture #1, accompanied by short interludes of Gardner/Lomax discussion before and after each segment. It is a kind of ‘lecture-demonstration’ version of the film. Skillful editing keeps viewers attention away from the fact of Gardner’s smoking most of the time.
Episode 18: Screening Room with Derek Lamb II
- Oct 30, 1975
In September 1975, Lamb returned to the program to screen and discuss the films The Last Cartoon Man and The Psychic Parrot.
Episode 19: Screening Room with Robert Breer
- Mar 21, 1976
Breer chats with Gardner about his approach to filmmakin'. He screens RECREATION, A MAN AND HIS DOG OUT FOR AIR, 69, GULLS AND BUOYS, FUJI and RUBBER CEMENT.
Episode 20: Screening Room with George Griffin
- Mar 22, 1976
Independent animator George Griffin has dedicated himself to the pursuit of animation as an art form. Originally from Tennessee, he became a pivotal figure of New York's experimental film scene in the 1970s with his self-reflexive, irreverent and personal films that challenge traditional notions and methods of animation. He has taught at institutions including the Parsons School of Design, Pratt Institute, and Harvard University, and his films have screened in museums and festivlas around the world. Griffin currently lives and works in New York. More information and his collected films, Griffiti, are available at www.geogrif.com.
Episode 21: Screening Room with Hollis Frampton
- Jan 1, 1977
A major ﬁgure in the American experimental ﬁlm movement of the 1960s and ‘70s and a widely published theorist, Hollis Frampton made such acclaimed and inﬂuential ﬁlms as Zorns Lemma, the Hapax Legomena series, and the unﬁnished Magellan. Retrospectives of his work have been shown at the Walker Art Center, the Museum of Modern Art, and elsewhere.The journal October twice devoted whole issues to Frampton, and the entire body of his work is preserved in the Royal Film Archive of Belgium. Frampton taught at Cooper Union, Hunter College, and the State University of New York at Buffalo. In January 1977, Hollis Frampton appeared on Screening Room to discuss his work and screen Lemon, Pas De Trois, excerpts from Maxwell’s Demon, Surface Tension and Critical Mass, and footage from what ultimately became Magellan." - DER website
Episode 22: Screening Room with Peter Hutton
- Jan 2, 1977
Drawing on traditions of 19th-century landscape painting and still photography, Peter Hutton’s contemplative, meticulously composed films unfold as a series of tableaux separated by black leader. His work, primarily minimalist, silent portraits of cities and landscapes, has been shown at important festivals and in major museums across Europe and the United States including the Museum of Modern Art and five Whitney Biennials. He has received the Dutch Film Critics Award, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the Rockefeller Foundation. He has taught at Hampshire College, Harvard University, SUNY Purchase, and has been a Professor of Film at Bard College since 1984.
Episode 23: Screening Room with Yvonne Rainer
- Jan 3, 1977
Relentless exploration of the nature of performance, the construction of meaning, and the relations of the sexes has guided Yvonne Rainer's long career, first in avant–garde choreography and dance and then in filmmaking. Her honors include Guggenheim and MacArthur Fellowships along with numerous exhibitions of her work, including recent retrospectives at the Museum of Modern Art in San Francisco and at the Film Society of Lincoln Center in New York. Her other films include Lives of Performers (1972), Film About a Woman Who... (1974), The Man Who Envied Women (1985), Privilege (1991), and Murder and Murder (1996).
Episode 24: Screening Room with Michael Snow
- Mar 22, 1977
Canadian Michael Snow has worked in painting, sculpture, and music as well as film, where he has proved one of the most renowned and influential of all experimental filmmakers. He played a major role in the "structural" film movement with such works as Wavelength (1967), Back and Forth (1969), and La Région Centrale (1971), exploring the world through deliberate and explicit decisions about formal approaches. Snow has been honored with solo exhibitions or film retrospectives at the Venice Biennale, New York's Museum of Modern Art, the Paris Centre Pompidou and Cinémathèque Française, and elsewhere.
Episode 25: Screening Room with James Broughton
- Apr 20, 1977
Often called "the father of West Coast independent cinema," James Broughton (1913-1999) considered himself to be, first and foremost, a poet. Writing poems and making films were, for Broughton, simply two different ways of creating images with feeling. Broughton gained notoriety as a filmmaker after collaborating with Sidney Peterson on The Potted Psalm in 1946, and he went on to make many films throughout his remaining years. He is known for his lyrical, celebratory style of dealing with everyday life, the body, and sexuality, and for blending poetry with film. He published books on film, as well as books of poems, and taught at the San Francisco Art Institute.
Episode 26: Screening Room with Hilary Harris II
- Jan 9, 1979
He returned to Screening Room in January 1979 to screen and discuss: • Organism (full film, 18:59) • The Nuer (excerpt, 6:31) • sound editing tool demo (footage, 7:09) • image generator demo (footage, 2:57) • oscilloscope imagery (footage, 3:22)
Episode 27: Screening Room with Robert Fulton II
- Apr 18, 1979
Robert Fulton was an extraordinary non-fiction filmmaker and gifted aerial cinematographer who left a legacy of remarkable films shot all over the world. He was an exceptional pilot, a devout Buddhist and a brilliant independent thinker and talker. He taught for a time in Harvard's Visual and Environmental Studies Department and worked closely with Robert Gardner on large and small projects over several decades. He won many awards, including an Emmy for work in television. Fulton died in a private airplane crash in 2002 whereupon Harvard Film Study Center established the Robert E. Fulton III Fund for new filmmakers in memorium. Robert Fulton appeared on Screening Room in April 1973, and returned in April 1979 to screen the films Street Film, Path of Cessation and Chant.
Episode 28: Screening Room with Jean Rouch
- Jul 8, 1980
Jean Rouch appeared on Screening Room in July 1980 and screened Les Maitres Fous as well as several film excerpts including Rhythm of Work and Death of a Priest. Over a period of five decades Jean Rouch made many films about the Songhay and Dogon of West Africa. He also made, with Edgar Morin, the classic documentary, Chronicle of a Summer about the lives of Parisians. Rouch Frequently traveled with his films, showing and talking about them to a wide audience.
Episode 29: Screening Room with Stan Brakhage
- Nov 18, 1980
Brakhage returned to the program in the fall of 1980, where he showed Window, two excerpts from Short Films: 1975, Roman Numeral Series I and Creation.
Episode 30: Screening Room with Jonas Mekas
- Oct 13, 1981
Here is Jonas Mekas interview with Robert Gardner in October of 81. Fantastic insights into Mekas' work and other experimental filmmakers.

Screening Room

1972 to 1981
1 season

Overview

Independent filmmakers are given a chance to show and discuss their work on a commercial (ABC-TV) affiliate station.

Fun facts

Episodes
Ran for 1 season and 30 episodes (1972 to 1981)
Source for Episodes, opens in a new tab

Details

Created by: Robert Gardner
Status: Ended
Seasons: 1
Episodes: 30
First aired: November 1, 1972
Last aired: October 13, 1981
Original language: English

Cast

Episodes

Season 1, 30 episodes

Episode 1: Screening Room with John Whitney Sr.
- Now playing
- Nov 1, 1972
John Whitney was a guest on the inaugural episode of Screening Room in November, 1972. He showed and discussed Permutations, 1-2-3-Osaka, Matrix, Matrix III and a film by his son, John Whitney Jr., called Terminal Self.
Episode 2: Screening Room with Les Blank
- Jan 1, 1973
Les Blank, along with music writer Peter Guralnick, appeared on Screening Room in January 1973 to discuss his recent work and screen The Blues Accordin' to Lightnin' Hopkins, also footage from what later comprised Dry Wood and Hot Pepper.
Episode 3: Screening Room with Hilary Harris
- Mar 1, 1973
In March 1973, Hilary Harris visited Screening Room to screen and discuss films such as Longhorns, Highway, and Seawards the Great Ships, as well as footage from a work-in-progress about New York City.
Episode 4: Screening Room with Bruce Baillie
- Apr 1, 1973
Bruce Baillie appeared on Screening Room in April 1973. He screened excerpts from his films On Sundays, The Gymnasts, To Parsifal, Tung and Castro Street.
Episode 5: Screening Room with Robert Fulton
- Apr 2, 1973
Robert Fulton appeared on Screening Room in April 1973 to screen and discuss Machu Pichu and Reality's Invisible.
Episode 6: Screening Room with Jan Lenica
- Apr 3, 1973
Jan Lenica appeared on Screening Room in April, 1973. He screened and discussed excerpts from his films Fantorro, Monsieur Tete, A and Labyrinth.
Episode 7: Screening Room with John & Faith Hubley
- Apr 4, 1973
John and Faith Hubley appeared on Screening Room in April 1973 to discuss and screen their films Eggs, The Hat, Children of the Sun, and Zuckerkandl.
Episode 8: Screening Room with Stan Brakhage
- May 1, 1973
Stan Brakhage first appeared on Screening Room in May, 1973 to screen and discuss the films Eye Myth, Desist Film, Wonder Ring, Window Water Baby Moving, Moth Light, Blue Moses, Machine of Eden and The Wold Shadow.
Episode 9: Screening Room with Derek Lamb
- Jun 1, 1973
Derek Lamb appeared on Screening Room in June 1973 with over a dozen films and film clips that demonstrated a wide range of animation techniques.
Episode 10: Screening Room with Emile de Antonio
- Jun 2, 1973
Along with visual anthropologist Edmund Carpenter, Emile de Antonio appeared on Screening Room in June 1973 to screen and discuss excerpts from his films.
Episode 11: Screening Room with Ricky Leacock
- Jun 3, 1973
Ricky Leacock visited Screening Room on June 15, 1973, with Al Mecklenburg and Jon Rosenfeld. He demonstrates super-8 sync technology and screens excerpts from his films.
Episode 12: Screening Room with Standish Lawder & Stanley Cavell
- Jun 3, 1973
In this episode of Screening Room, Lawder demonstrates the intricacies of his home-made optical printer and shows examples of what can be achieved with rephotographing film.
Episode 13: Screening Room with Caroline Leaf & Mary Beams
- Feb 17, 1975
Caroline Leaf’s animated work springs from her expert storytelling and pioneering animation techniques. One significant contribution to filmmaking is her technique of manipulating sand on a light-box, which she began as a student at Harvard. She later worked as an animator and director at the National Film Board of Canada. Her film The Street garnered an Academy Award nomination in 1976. On this episode, she screens the remarkable The Owl Who Married a Goose: An Eskimo Legend and parts of The Street and The Metamorphosis of Mr. Samsa which were works-in-progress at the time. Visit her personal website at www.carolineleaf.com.
Episode 14: Screening Room with Richard P. Rogers
- Feb 18, 1975
Richard P. Rogers (1944-2001) was a renowned producer and director of nonfiction films, and a gifted teacher and mentor who taught filmmaking and photography for many years at S.U.N.Y., Purchase, and at Harvard University, where he was director of the Film Study Center. His films range from political to experimental and self-reflective, and include the independent documentaries Living at Risk and Pictures from a Revolution, about Nicaragua; an award-winning portrait made for PBS of the poet William Carlos Williams; and a dramatic adaptation of Laurel Thatcher Ulrich's book A Midwife's Tale.
Episode 15: Screening Room with Suzan Pitt
- Feb 19, 1975
Independent animator and painter Suzan Pitt, whose surreal and psychological films have gained her worldwide acclaim, continually pushes the boundaries of the animated form, sometimes working with live actors or using animation in opera stagings. Her film Asparagus won the top prize at the Oberhausen Short Film Festival and showed in theatres with David Lynch's Eraserhead for two years. She has had major exhibitions at the Whitney Museum of Art, the Holly Solomon Gallery in New York, and the Stedlijk Museum in Amsterdam. She currently teaches at the California Institute of the Arts.
Episode 16: Screening Room with Ed Emshwiller
- Feb 20, 1975
Ed Emshwiller started out as an abstract expressionist painter and an award-winning science fiction illustrator before becoming a major figure in avant-garde cinema and the experimental film movement of the 1960s and '70s. Eventually a highly respected video artist and dean at the School of Film/Videoo at the California Institute of the Arts, Emshwiller was always looking for ways to push the boundaries of film and video. He was a pioneer of computer-generated video and combining technology with art. Many of his films, including Relativity, Totem, Film with Three Dancers, and Thanatopsis received screenings and awards at New York, Cannes and other major film festivals worldwide.
Episode 17: Screening Room with Alan Lomax
- Feb 21, 1975
In this episode from 1975, ethnomusicologist Alan Lomax is the guest and viewers are treated to a partitioned screening of his path-breaking 40 minute film Dance and Human History: Movement Style and Culture #1, accompanied by short interludes of Gardner/Lomax discussion before and after each segment. It is a kind of ‘lecture-demonstration’ version of the film. Skillful editing keeps viewers attention away from the fact of Gardner’s smoking most of the time.
Episode 18: Screening Room with Derek Lamb II
- Oct 30, 1975
In September 1975, Lamb returned to the program to screen and discuss the films The Last Cartoon Man and The Psychic Parrot.
Episode 19: Screening Room with Robert Breer
- Mar 21, 1976
Breer chats with Gardner about his approach to filmmakin'. He screens RECREATION, A MAN AND HIS DOG OUT FOR AIR, 69, GULLS AND BUOYS, FUJI and RUBBER CEMENT.
Episode 20: Screening Room with George Griffin
- Mar 22, 1976
Independent animator George Griffin has dedicated himself to the pursuit of animation as an art form. Originally from Tennessee, he became a pivotal figure of New York's experimental film scene in the 1970s with his self-reflexive, irreverent and personal films that challenge traditional notions and methods of animation. He has taught at institutions including the Parsons School of Design, Pratt Institute, and Harvard University, and his films have screened in museums and festivlas around the world. Griffin currently lives and works in New York. More information and his collected films, Griffiti, are available at www.geogrif.com.
Episode 21: Screening Room with Hollis Frampton
- Jan 1, 1977
A major ﬁgure in the American experimental ﬁlm movement of the 1960s and ‘70s and a widely published theorist, Hollis Frampton made such acclaimed and inﬂuential ﬁlms as Zorns Lemma, the Hapax Legomena series, and the unﬁnished Magellan. Retrospectives of his work have been shown at the Walker Art Center, the Museum of Modern Art, and elsewhere.The journal October twice devoted whole issues to Frampton, and the entire body of his work is preserved in the Royal Film Archive of Belgium. Frampton taught at Cooper Union, Hunter College, and the State University of New York at Buffalo. In January 1977, Hollis Frampton appeared on Screening Room to discuss his work and screen Lemon, Pas De Trois, excerpts from Maxwell’s Demon, Surface Tension and Critical Mass, and footage from what ultimately became Magellan." - DER website
Episode 22: Screening Room with Peter Hutton
- Jan 2, 1977
Drawing on traditions of 19th-century landscape painting and still photography, Peter Hutton’s contemplative, meticulously composed films unfold as a series of tableaux separated by black leader. His work, primarily minimalist, silent portraits of cities and landscapes, has been shown at important festivals and in major museums across Europe and the United States including the Museum of Modern Art and five Whitney Biennials. He has received the Dutch Film Critics Award, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the Rockefeller Foundation. He has taught at Hampshire College, Harvard University, SUNY Purchase, and has been a Professor of Film at Bard College since 1984.
Episode 23: Screening Room with Yvonne Rainer
- Jan 3, 1977
Relentless exploration of the nature of performance, the construction of meaning, and the relations of the sexes has guided Yvonne Rainer's long career, first in avant–garde choreography and dance and then in filmmaking. Her honors include Guggenheim and MacArthur Fellowships along with numerous exhibitions of her work, including recent retrospectives at the Museum of Modern Art in San Francisco and at the Film Society of Lincoln Center in New York. Her other films include Lives of Performers (1972), Film About a Woman Who... (1974), The Man Who Envied Women (1985), Privilege (1991), and Murder and Murder (1996).
Episode 24: Screening Room with Michael Snow
- Mar 22, 1977
Canadian Michael Snow has worked in painting, sculpture, and music as well as film, where he has proved one of the most renowned and influential of all experimental filmmakers. He played a major role in the "structural" film movement with such works as Wavelength (1967), Back and Forth (1969), and La Région Centrale (1971), exploring the world through deliberate and explicit decisions about formal approaches. Snow has been honored with solo exhibitions or film retrospectives at the Venice Biennale, New York's Museum of Modern Art, the Paris Centre Pompidou and Cinémathèque Française, and elsewhere.
Episode 25: Screening Room with James Broughton
- Apr 20, 1977
Often called "the father of West Coast independent cinema," James Broughton (1913-1999) considered himself to be, first and foremost, a poet. Writing poems and making films were, for Broughton, simply two different ways of creating images with feeling. Broughton gained notoriety as a filmmaker after collaborating with Sidney Peterson on The Potted Psalm in 1946, and he went on to make many films throughout his remaining years. He is known for his lyrical, celebratory style of dealing with everyday life, the body, and sexuality, and for blending poetry with film. He published books on film, as well as books of poems, and taught at the San Francisco Art Institute.
Episode 26: Screening Room with Hilary Harris II
- Jan 9, 1979
He returned to Screening Room in January 1979 to screen and discuss: • Organism (full film, 18:59) • The Nuer (excerpt, 6:31) • sound editing tool demo (footage, 7:09) • image generator demo (footage, 2:57) • oscilloscope imagery (footage, 3:22)
Episode 27: Screening Room with Robert Fulton II
- Apr 18, 1979
Robert Fulton was an extraordinary non-fiction filmmaker and gifted aerial cinematographer who left a legacy of remarkable films shot all over the world. He was an exceptional pilot, a devout Buddhist and a brilliant independent thinker and talker. He taught for a time in Harvard's Visual and Environmental Studies Department and worked closely with Robert Gardner on large and small projects over several decades. He won many awards, including an Emmy for work in television. Fulton died in a private airplane crash in 2002 whereupon Harvard Film Study Center established the Robert E. Fulton III Fund for new filmmakers in memorium. Robert Fulton appeared on Screening Room in April 1973, and returned in April 1979 to screen the films Street Film, Path of Cessation and Chant.
Episode 28: Screening Room with Jean Rouch
- Jul 8, 1980
Jean Rouch appeared on Screening Room in July 1980 and screened Les Maitres Fous as well as several film excerpts including Rhythm of Work and Death of a Priest. Over a period of five decades Jean Rouch made many films about the Songhay and Dogon of West Africa. He also made, with Edgar Morin, the classic documentary, Chronicle of a Summer about the lives of Parisians. Rouch Frequently traveled with his films, showing and talking about them to a wide audience.
Episode 29: Screening Room with Stan Brakhage
- Nov 18, 1980
Brakhage returned to the program in the fall of 1980, where he showed Window, two excerpts from Short Films: 1975, Roman Numeral Series I and Creation.
Episode 30: Screening Room with Jonas Mekas
- Oct 13, 1981
Here is Jonas Mekas interview with Robert Gardner in October of 81. Fantastic insights into Mekas' work and other experimental filmmakers.

Episodes

E1 Episode 1: Screening Room with John Whitney Sr.

E2 Episode 2: Screening Room with Les Blank

E3 Episode 3: Screening Room with Hilary Harris

E4 Episode 4: Screening Room with Bruce Baillie

E5 Episode 5: Screening Room with Robert Fulton

E6 Episode 6: Screening Room with Jan Lenica

E7 Episode 7: Screening Room with John & Faith Hubley

E8 Episode 8: Screening Room with Stan Brakhage

E9 Episode 9: Screening Room with Derek Lamb

E10 Episode 10: Screening Room with Emile de Antonio

E11 Episode 11: Screening Room with Ricky Leacock

E12 Episode 12: Screening Room with Standish Lawder & Stanley Cavell

E13 Episode 13: Screening Room with Caroline Leaf & Mary Beams

E14 Episode 14: Screening Room with Richard P. Rogers

E15 Episode 15: Screening Room with Suzan Pitt

E16 Episode 16: Screening Room with Ed Emshwiller

E17 Episode 17: Screening Room with Alan Lomax

E18 Episode 18: Screening Room with Derek Lamb II

E19 Episode 19: Screening Room with Robert Breer

E20 Episode 20: Screening Room with George Griffin

E21 Episode 21: Screening Room with Hollis Frampton

E22 Episode 22: Screening Room with Peter Hutton

E23 Episode 23: Screening Room with Yvonne Rainer

E24 Episode 24: Screening Room with Michael Snow

E25 Episode 25: Screening Room with James Broughton

E26 Episode 26: Screening Room with Hilary Harris II

E27 Episode 27: Screening Room with Robert Fulton II

E28 Episode 28: Screening Room with Jean Rouch

E29 Episode 29: Screening Room with Stan Brakhage

E30 Episode 30: Screening Room with Jonas Mekas

Overview

Fun facts

Details

Cast

More like this

Episodes

E1 Episode 1: Screening Room with John Whitney Sr.

E2 Episode 2: Screening Room with Les Blank

E3 Episode 3: Screening Room with Hilary Harris

E4 Episode 4: Screening Room with Bruce Baillie

E5 Episode 5: Screening Room with Robert Fulton

E6 Episode 6: Screening Room with Jan Lenica

E7 Episode 7: Screening Room with John & Faith Hubley

E8 Episode 8: Screening Room with Stan Brakhage

E9 Episode 9: Screening Room with Derek Lamb

E10 Episode 10: Screening Room with Emile de Antonio

E11 Episode 11: Screening Room with Ricky Leacock

E12 Episode 12: Screening Room with Standish Lawder & Stanley Cavell

E13 Episode 13: Screening Room with Caroline Leaf & Mary Beams

E14 Episode 14: Screening Room with Richard P. Rogers

E15 Episode 15: Screening Room with Suzan Pitt

E16 Episode 16: Screening Room with Ed Emshwiller

E17 Episode 17: Screening Room with Alan Lomax

E18 Episode 18: Screening Room with Derek Lamb II

E19 Episode 19: Screening Room with Robert Breer

E20 Episode 20: Screening Room with George Griffin

E21 Episode 21: Screening Room with Hollis Frampton

E22 Episode 22: Screening Room with Peter Hutton

E23 Episode 23: Screening Room with Yvonne Rainer

E24 Episode 24: Screening Room with Michael Snow

E25 Episode 25: Screening Room with James Broughton

E26 Episode 26: Screening Room with Hilary Harris II

E27 Episode 27: Screening Room with Robert Fulton II

E28 Episode 28: Screening Room with Jean Rouch

E29 Episode 29: Screening Room with Stan Brakhage

E30 Episode 30: Screening Room with Jonas Mekas

Episode 1: Screening Room with John Whitney Sr.

Episode 2: Screening Room with Les Blank

Episode 3: Screening Room with Hilary Harris

Episode 4: Screening Room with Bruce Baillie

Episode 5: Screening Room with Robert Fulton

Episode 6: Screening Room with Jan Lenica

Episode 7: Screening Room with John & Faith Hubley

Episode 8: Screening Room with Stan Brakhage

Episode 9: Screening Room with Derek Lamb

Episode 10: Screening Room with Emile de Antonio

Episode 11: Screening Room with Ricky Leacock

Episode 12: Screening Room with Standish Lawder & Stanley Cavell

Episode 13: Screening Room with Caroline Leaf & Mary Beams

Episode 14: Screening Room with Richard P. Rogers

Episode 15: Screening Room with Suzan Pitt

Episode 16: Screening Room with Ed Emshwiller

Episode 17: Screening Room with Alan Lomax

Episode 18: Screening Room with Derek Lamb II

Episode 19: Screening Room with Robert Breer

Episode 20: Screening Room with George Griffin

Episode 21: Screening Room with Hollis Frampton

Episode 22: Screening Room with Peter Hutton

Episode 23: Screening Room with Yvonne Rainer

Episode 24: Screening Room with Michael Snow

Episode 25: Screening Room with James Broughton

Episode 26: Screening Room with Hilary Harris II

Episode 27: Screening Room with Robert Fulton II

Episode 28: Screening Room with Jean Rouch

Episode 29: Screening Room with Stan Brakhage

Episode 30: Screening Room with Jonas Mekas

Episode 1: Screening Room with John Whitney Sr.

Episode 2: Screening Room with Les Blank

Episode 3: Screening Room with Hilary Harris

Episode 4: Screening Room with Bruce Baillie

Episode 5: Screening Room with Robert Fulton

Episode 6: Screening Room with Jan Lenica

Episode 7: Screening Room with John & Faith Hubley

Episode 8: Screening Room with Stan Brakhage

Episode 9: Screening Room with Derek Lamb

Episode 10: Screening Room with Emile de Antonio

Episode 11: Screening Room with Ricky Leacock

Episode 12: Screening Room with Standish Lawder & Stanley Cavell

Episode 13: Screening Room with Caroline Leaf & Mary Beams

Episode 14: Screening Room with Richard P. Rogers

Episode 15: Screening Room with Suzan Pitt

Episode 16: Screening Room with Ed Emshwiller

Episode 17: Screening Room with Alan Lomax

Episode 18: Screening Room with Derek Lamb II

Episode 19: Screening Room with Robert Breer

Episode 20: Screening Room with George Griffin

Episode 21: Screening Room with Hollis Frampton

Episode 22: Screening Room with Peter Hutton

Episode 23: Screening Room with Yvonne Rainer

Episode 24: Screening Room with Michael Snow

Episode 25: Screening Room with James Broughton

Episode 26: Screening Room with Hilary Harris II

Episode 27: Screening Room with Robert Fulton II

Episode 28: Screening Room with Jean Rouch

Episode 29: Screening Room with Stan Brakhage

Episode 30: Screening Room with Jonas Mekas